This is a silk scarf with a combination of painting and print. It has a delicate, thin, and shiny appearance from certain angles. The scarf features a triptych, each panel representing an empty throne within a room associated with three significant Buddhist figures: Avalokitesvara, Buddha, and Padmasambhava. Surrounding each throne are personal belongings, offering subtle hints about the identities of the deities who occupy these sacred spaces. The title, Common Hours, borrows from the academic term referring to universal break periods, symbolizing a pause in the daily routine. By choosing to depict these revered deities in their absence, Tsewang aims to humanize them by suggesting that even these idealized figures deserve respite. Their absence evokes a sense of stillness and reflection, encouraging the viewer to contemplate the moments of rest and retreat we all need.